A Critical Forum on Media and Culture
A Critical Forum on Media and Culture
Wheeler Winston Dixon explores the ramifications of Netlix’s move to video streaming on brick and mortar video stores.
Read moreReflecting on a recent break-up, Hollis Griffin writes about expression and affect on social networks.
Read moreJessalynn Keller’s Flow Favorite: Alexander Doty’s column on the 2010 Emmy broadcast reveals the tensions of a liberal politics of representation in the shows Glee and Modern Family.
Read moreAlfred Martin’s Flow Favorite: Randall Livingstone challenges the myth behind the “Get a Mac” ads.
Read moreCourtney Brannon Donoghue’s Flow Favorite: Charles Acland wonders whether James Cameron’s Avatar is a “game-changer,” or business as usual?
Read morePaul Gansky’s Flow Favorite: A look at how the DVD industry’s use of packaging mirrors and contrasts that of deluxe vinyl and CD sets.
Read moreWilliam Moner’s Flow Favorite: Bridget Conor examines the politics of transnational cultural labor in last fall’s Hobbit dispute.
Read moreColin Tait’s Flow Favorite: Marshall explores the homosocial “bromance” of Alan Shore and Denny Crane in “Boston Legal” leading up to the series’ climax.
Read moreCaroline Leader’s Flow Favorite: Jayson Harsin’s exploration of WikiLeaks provides a wide shot of the famed web scandal within a larger political, global and ideological landscape. By presenting five theses, his article creates endless potential for further research.
Read moreDel Rio argues that networked activism, abetted by social networking sites and media, continues to present a range of challenges and opportunities in democratic life for lone activists and advocacy groups alike.
Read moreNorma Coates applies Sedgwick’s theory of affect to interrogate the sense of pleasure derived from Record Store Day.
Read moreMurray Pomerance explores audience reception of the playful gender dynamics as performed in Wings of the Morning (1937).
Read more