Page 4 – Flow

Automated for the People
Gerald Sim / Florida Atlantic University

This article discusses the intersection of technology and creative labor, focusing on the impact of AI tools on video editing and the broader media industry.

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A Quiet Revolution? Cinema Programming in the Era of Artificial Intelligence
Roderik Smits / Erasmus University Rotterdam

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

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Disclaimer, Anonymous Content and single series auteur-directed television
Andrew Stubbs-Lacy / Staffordshire University

This column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies.

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TikTok is Television, Television is TikTok
Michael Z. Newman / University of Wisconsin-Milwaukee

Michael Z. Newman explores the convergence of television and TikTok, arguing that platforms like TikTok embody television’s fragmentary logic and attention-driven economy, transforming late-night shows like After Midnight into viral, internet-native content.

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Sam Reich’s Dropout: Ethical Collaboration and Engaging Fandom Toward Niche Streaming Survival
Charlotte Howell / Boston University

March 6, 2024 Charlotte E. Howell / Boston University Leave a comment

Charlotte Howell looks at Dropout CEO Sam Reich’s public approach to operations which emphasizes collaboration both on-screen and with a devoted, niche fanbase. Reich has been developing a unique media executive persona fitting for a niche streaming service based in the fundamental collaborative form of improv comedy.

Mapping Situated Practice from an Insider’s Perspective
Josephine Coleman / Brunel University

March 6, 2024 Josephine Coleman / Brunel University Leave a comment

Josephine Coleman uses her research experience to reflect on participant observation from an insider’s perspective.

**Over*Flow: Trans Joy and Body Horror in Emerging Trans Cinema**
Paige Macintosh / Te Herenga Waka—Victoria University of Wellington

January 24, 2024 Paige Macintosh / Te Herenga Waka – Victoria University of Wellington Leave a comment

Macintosh explores trans joy through the body horror genre and the Willem Koller-helmed independent film Nest.

**Over*Flow: “Birth is Violent”: Television’s Response to Post-Roe Reproductive Politics**
Reut Odinak / Boston University

December 20, 2023 Reut Odinak / Boston University Leave a comment

Odinak considers how, as the debate over reproductive autonomy rages on in a post-Roe world, television has responded with representations demonstrating how birth is violent, controlling reproductive bodies is cruel, and forcing people into giving birth is barbaric.

”Real EMO”: Mythologizing and Marketing EMO Music
Francesca Sobande / Cardiff University

December 13, 2023 Francesca Sobande / Cardiff University and Jenessa Williams / University of Leeds One comment

Francesca Sobande explores emo’s nostalgic resurgence, raising questions about authenticity, youth culture, mythologization, and the role of industrial and commercial activities in shaping the genre.

Reaching young audiences in a multi-platform era: What to do?!
Eva Novrup Redvall, University of Copenhagen

December 13, 2023 Eva Novrup Redvall / University of Copenhagen Leave a comment

Eva Novrup Redvall examines current challenges of creating media for youth audiences, while reflecting on the 2023 international conference Reaching Young Audiences: Investigating media content for children and young people in a multi-platform era, held at the University of Copenhagen.

Boys Love (BL) Evolving into Gay Love?: Exploring the Popularity and Transformations of BL in Contemporary Korean Media
Jungmin Kwon / Portland State University

December 13, 2023 Jungmin Kwon / Portland State University One comment

Jungmin Kwon explores audiences for Boys Love media in South Korea, uncovering a shift from mostly heterosexual women to more diverse queer audiences.

The Rise of Data Analysis in the Indian OTT market: The Case of Ormax Media
Ishita Tiwary / Concordia University

December 13, 2023 Ishita Tiwary / Concordia University Leave a comment

Ishita Tiwari examines Ormax Media, India’s leading media consulting firm, and its rising influence on the OTT market.

Love Me, Love Me Not: Spectacularizing ‘Love Migration’ In Scandinavian Reality TV
Georgia Aitaki / Karlstad University

December 13, 2023 Georgia Aitaki / Karlstads Universitet Leave a comment

Georgia Aitaki explores discourses of migration and culture on Sweden’s Älskar, Älskar Inte (Love Me, Love Me Not.)

**“Life in Plastic, It’s Fantastic”: Barbie, Gendered Expectations, and the Female-Driven Blockbuster**
Courtney Brannon Donoghue / University of North Texas

November 15, 2023 Courtney Brannon Donoghue / University of North Texas 2 comments

Courtney Brannon Donoghue explores Barbie’s successful release amidst Hollywood’s short-sighted tendency towards plastic representation.

Distributing Streaming Content to India’s “Neomobile” Audiences
Rahul Mukherjee / University of Pennsylvania

November 15, 2023 Rahul Mukherjee / University of Pennsylvania Leave a comment

Rahul Mukherjee analyzes India’s VoD growth, focusing on localization, distribution practices, telecom bundling, local CDNs, and audience data dynamics in streaming.

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Flow

Automated for the People
Gerald Sim / Florida Atlantic University

A Quiet Revolution? Cinema Programming in the Era of Artificial Intelligence
Roderik Smits / Erasmus University Rotterdam

Disclaimer, Anonymous Content and single series auteur-directed television
Andrew Stubbs-Lacy / Staffordshire University

TikTok is Television, Television is TikTok
Michael Z. Newman / University of Wisconsin-Milwaukee