Grace and Frankie Open the Door: Dramedy, Netflix, and Small Screen Lily Tomlin
Kelly Kessler / DePaul University
Kelly Kessler considers Lily Tomlin’s unique televisual history.
Read moreA Critical Forum on Media and Culture
A Critical Forum on Media and Culture
Kelly Kessler considers Lily Tomlin’s unique televisual history.
Read moreJosh Braun reflects on completing his dissertation field work on a shoestring budget.
Read moreAlison Harvey borrows concepts from critical architecture studies to argue that ‘active inactivity’ in dealing with toxic and hateful speech and action in the regulation of social media web sites functions as aggressive architecture, sidelining the concerns, needs, and well-being of Othered publics.
Read moreAlexander Cho calls attention to the Game of Thrones conclusion too many of us overlooked: a vision of queer coalition politics.
Read moreDrawing from her own experiences working for ESPN and applying Sara Ahmed’s concept of “complaint as diversity work,” Courtney M. Cox interrogates the lack of diversity in sports media and offers a multi-pronged approach to improving inclusivity in a notoriously white male industry.
Read moreJenny Keegan summarizes the way academia and fandom can both be theorized as Lego sets: ready for communities to build up and together.
Read morePeter C. Kunze examines Netflix’s budding interest in Broadway theatre, which continues film and television’s longstanding investment in theatrical entertainment.
Read moreSiobhán McHugh discusses how the podcasting boom is triggering exciting new interdisciplinary collaborations that harness the under-appreciated power of audio as a research platform.
Read morePhil Oppenheim concludes his exploration of the cult-cult canon with Doctor Dracula, an exploitative film with Hollywood connections that was assembled in a cut-and-paste fashion from the 1974 release of Lucifer’s Women.
Read moreJacinta Yanders questions Netflix’s decision to cancel One Day at a Time amidst their own visible campaigns for inclusivity and representation on-screen.
Read moreJosh Stenger considers how fan studies is uniquely positioned to help colleges and universities teach students how to learn.
Read moreKelly Kessler analyzes the failed promise of Fox’s Rent Live and the limitations of televised theater without liveness and risk.
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