A Critical Forum on Media and Culture
A Critical Forum on Media and Culture
Flow editorial staff members for Volume 31 (2024–2025 academic year): Managing EditorsRyan David BriggsPete Johnson Senior EditorsJina LeeAnn LaudickHannah ForsytheSoo Hee Kang MarketingLaura Springman Column EditorsYen Jen ChenAaron LightLaurel RogersDennis SunXinyue WangMorgan StoneAndrea AlarconBlake WagnerCath VouvrayMia MendezAnandha Lekshmi NairDongni HuangYenny KangJamie DavisMicheal Braden Faculty AdvisorSuzanne Scott
Read moreFlow has published articles from over 700 authors in its 17-year history – from the tenured senior scholar to the graduate student junior scholar. Flow‘s authors are spread all across the Americas – from New York to California and from Canada to Brazil – and across the globe – from England and Scotland to New Zealand and Australia, to Singapore and beyond. […]
Read moreHow to Contribute to the Journal: 1) Submit an article to Over*Flow Flow invites contributions to our new space for responses to breaking TV and media news: Over*Flow. This feature allows time-sensitive, one-off pieces to be published on our homepage alongside our monthly columns. To be considered for Over*Flow, please submit completed short essays (of 1,000-1,500 words, along with at least […]
Read moreExploring the design and economics of the newsletter platform Substack, Austin Morris considers both its positive and negative implications for the future of digital media work.
Read moreUsing new media cooperative Defector as a case study, Austin Morris explores the ethics of online content production and what it means to do “good work” in the digital content industries.
Read moreHazem Fahmy analyzes Netflix’s recent acquisition of Egyptian films, television series, and plays.
Read moreAsh Kinney d’Harcourt examines the complexities in the later in life female-to-male (FTM) transition narratives shared on YouTube. The stories of these late bloomers, and trans elders more broadly, are significant at a time when trans futures are uncertain.
Read moreKit Hughes writes about the necessity of solidarity in academia along with other workplaces in the face of the COVID-19 pandemic.
Read moreLaurel Westrup examines the partnerships and production constraints of various music videos to illustrate its collaborative creative labor.
Read moreThe second installment of his three-part series sees Taylor Miller consider the implications of edits made to syndicated TV programs on their textuality and reception.
Read moreDrawing from her own experiences working for ESPN and applying Sara Ahmed’s concept of “complaint as diversity work,” Courtney M. Cox interrogates the lack of diversity in sports media and offers a multi-pronged approach to improving inclusivity in a notoriously white male industry.
Read moreSelena Dickey and Kate Cronin, the Managing Editors for Volume 25 of Flow, introduce a special issue intended to make FLOW Conference 2018: Preservation, Praxis, and Precarity not only more accessible to those who were unable to attend but also a springboard for further consideration of these themes in future issues of Flow.
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