Page 160 – Flow

Automated for the People
Gerald Sim / Florida Atlantic University

This article discusses the intersection of technology and creative labor, focusing on the impact of AI tools on video editing and the broader media industry.

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A Quiet Revolution? Cinema Programming in the Era of Artificial Intelligence
Roderik Smits / Erasmus University Rotterdam

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

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Disclaimer, Anonymous Content and single series auteur-directed television
Andrew Stubbs-Lacy / Staffordshire University

This column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies.

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TikTok is Television, Television is TikTok
Michael Z. Newman / University of Wisconsin-Milwaukee

Michael Z. Newman explores the convergence of television and TikTok, arguing that platforms like TikTok embody television’s fragmentary logic and attention-driven economy, transforming late-night shows like After Midnight into viral, internet-native content.

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Inside the Beeb

April 15, 2005 Jim McGuigan / Loughborough University, UK 3 comments

by: Jim McGuigan / Loughborough University, UK
How can a public network like the BBC survive in the age of privatization?

Flotsam

April 15, 2005 Christopher Anderson / Indiana University 2 comments

by: Christopher Anderson / Indiana University
How does our understanding of television change when we replace the idea of “flow” with “flotsam”?

Copps’s Hypothesis: Indecency and Media Ownership

April 15, 2005 Frederick Wasser / Brooklyn College 9 comments

by: Frederick Wasser / Brooklyn College
Wasser considers a hypothesis of FCC commissioner Michael Copps: is there a relationship between media deregulation and vulgar programming?