Flow

by: Nichola Dobson / Independent Scholar
What are the implications for British broadcasting when news anchors become celebrities?

by: Chuck Tryon / Fayetteville State University
YouTube meets the Super Bowl as network television tries to negotiate “digital democracy.”

by: Hector Amaya / Southwestern University
Are television viewers more receptive to aesthetic and narrative sophistication than film viewers?

by: Jennifer Warren / Independent Scholar, San Francisco Bay Area
What are we trying to tell ourselves about ourselves through the lens of science fiction narrative?

by: Jean Anne Lauer / FLOW Staff
Battlestar Galactica takes on some tough issues, but the death of Kat closes off a potentially rich area for further social critique.

by: Adam Fish / UCLA
In two first-person cinematographer ecotourist programs, the difficulties and joys of being a small camera crew are as important as what the cameras record.

by: Craig Jacobsen / Mesa Community College
It isn’t hard to imagine a future in which broadcasting serves the role of advertising and secondary revenue stream for the primary medium: complete seasons of episodes packed for sale on DVD or for download.

by: Alan McKee / Queensland University of Technology
Why it’s best to stick to shows with singing, dancing, or, preferably, both.

by: Ray Cha / Independent Scholar
Part two of three in a series describes a control or possibly “on demand” nature more important than a effeciently planned experience and delivery of “television.”

by: Gareth Palmer / University of Salford
Television’s engagement with surveillance of all kinds is fashioning a productive shame, reproducing models of ever more restricted “outer-focused” identities.