Flow

Kim explores the 4B movement as a transnational form of feminism that has been cultivated through digital platforms.

In this column, Rogerson offers a textual and industrial analysis of the self-reflexive Disney+/Pixar series Dream Productions and the animation unit’s short-lived approach to streaming series.

Eleanor Patterson explores how Elvis Girlies “play around” with history.

Bennett examines the production culture from the perspective of across-the-line workers at the entry level.