A Critical Forum on Media and Culture
A Critical Forum on Media and Culture
Former Managing Editors Laurel Rogers (Vol. 30)Kathryn Hartzell (Vol. 30)Paxton Haven (Vol. 29)Andy Fischer Wright (Vol. 29)Laura Brown (Vol. 28)Ash d’Harcourt (Vol. 28)Nathan Rossi (Vol. 27)Maggie Steinhauer (Vol. 27)Rusty Hatchell (Vol. 26)Selena Dickey (Vols. 25-26)Kate Cronin (Vol. 25)Lesley Willard (Vol. 24)Cameron Lindsay (Vol. 24)Jacqueline Pinkowitz (Vols. 22-23)Tim Piper (Vols. 22-23)Keara Goin (Vols. 18-21)Adolfo Mora (Vols. 18-21)Alfred Martin (Vols. 14-17)Paul Gansky […]
Read moreFormer Managing Editors Kate Cronin (Vol. 25) Lesley Willard (Vol. 24) Cameron Lindsay (Vol. 24) Jacqueline Pinkowitz (Vols. 22-23) Tim Piper (Vols. 22-23) Keara Goin (Vols. 18-21) Adolfo Mora (Vols. 18-21) Alfred Martin (Vols. 14-17) Paul Gansky (Vols. 14-17) Colin Tait (Vols. 13-14) William Moner (Vols. 12-14) Alexander Cho (Vols. 11-12) Jacqueline Vickery (Vols. 8-11) Anne Petersen (Vols. 8-10) Peter […]
Read moreFlow has a new and improved Blogroll.
Read moreQuestions? Comments? Please feel free to contact Flow‘s coordinating editors, Selena Dickey and Rusty Hatchell, by sending an e-mail to flowjournaleditors@gmail.com.
Read moreAlisa Perren welcomes readers to Flow’s Special Issue on the Texas media industries by describing the complexities of defining and building a media industry at the state and local level.
Read moreEva Novrup Redvall considers how directors and other industry professionals collaborate through job sharing in the film and television industries.
Read moreTim Highfield explores BeReal through the platform and users’ relationship to temporal authenticity.
Read moreMaria San Filippo examines the complicated history of women’s voices in the Film Academy.
Read moreStefania Marghitu reflects on auteur apologism after #MeToo and outlines productive ways for media studies scholars and teachers to refocus conversations about authorship on marginalized artists and creators.
Read moreThrough analysis of representation of abortion on screen, Maria San Filippo illustrates the ways in which “Maude’s Dilemma” remains relevant to modern audiences and feminist media scholars.
Read moreHow to Contribute to the Journal: 1) Submit an article to Over*Flow Flow invites contributions to our new space for responses to breaking TV and media news: Over*Flow. This feature allows time-sensitive, one-off pieces to be published on our homepage alongside our monthly columns. To be considered for Over*Flow, please submit completed short essays (of 1,000-1,500 words, along with at least […]
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