Skip to content

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

Home
ABOUT FLOW
CONTRIBUTE
- HOW TO CONTRIBUTE
- CURRENT CALLS
CREDITS
OVER*FLOW

Samantha Close / DePaul University

The Political Economy of Digital Platforms
Samantha Close / DePaul University

October 29, 2018 Samantha Close / DePaul University Leave a comment

Samantha Close brings attention to the key points of FLOW 2018’s “The Political Economy of Digital Platforms” roundtable.

Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Search for:

Archives

Archives

Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

Over*Flow: "Trans Joy and Body Horror in Emerging Trans Cinema"
Paige Macintosh / Te Herenga Waka—Victoria University of Wellington

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FLOW @flowtv ·

20 Nov

Juan Llamas-Rodriguez explores how subway flood videos transform extreme weather from spectacle into genre. These videos force audiences to confront their roles in a destabilising climate.

Read it here: http://tinyurl.com/3z2d5kxn !

Reply on Twitter 1859308559273689559 Retweet on Twitter 1859308559273689559 2 Like on Twitter 1859308559273689559 3 Twitter 1859308559273689559

FLOW @flowtv ·

19 Nov

In "The Higher the Hair, The Closer to God: On Queen Charlotte’s Wigs" @Jackie_Johns examines the deeper significance of the wigs in Netflix’s Queen Charlotte.

Read it here: https://tinyurl.com/3ptjf8ub !

Reply on Twitter 1858982457833599338 Retweet on Twitter 1858982457833599338 2 Like on Twitter 1858982457833599338 5 Twitter 1858982457833599338

FLOW @flowtv ·

18 Nov

Eric Harvey discusses how contemporary music stardom pulls fans and commentators into a rabbit hole of never-ending engagement. Read it here: https://tinyurl.com/yvpbb34d!

Reply on Twitter 1858641878943441385 Retweet on Twitter 1858641878943441385 3 Like on Twitter 1858641878943441385 5 Twitter 1858641878943441385

FLOW @flowtv ·

15 Nov

📢 We are working on making the move to BlueSky. Looking forward to continuing conversations on the changing landscape of media on this new platform!

Reply on Twitter 1857551678314021266 Retweet on Twitter 1857551678314021266 2 Like on Twitter 1857551678314021266 3 Twitter 1857551678314021266

Load More

Popular Posts

Pass the Remote: Online News
June 10, 2005 179 comments
Why Do I Love Television So Very Much?
March 9, 2007 95 comments
Watching Everybody Hates Chris in Brazil
Reighan Gillam / University of Michigan
March 5, 2013 91 comments
Awkward Conversations About Uncomfortable Laughter
November 4, 2005 66 comments
Why Don’t I Like Breaking Bad?
Kate Warner / University of Queensland
February 11, 2014 59 comments

Tags

Advertising American Politics Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Film Gender Globalization Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Youth Culture