The Seeds of Doom?
by: Derek Kompare / Southern Methodist University
What the new Doctor Who can tell us about the machinations of cultural globalization.
A Critical Forum on Media and Culture
A Critical Forum on Media and Culture
The Seeds of Doom?
by: Derek Kompare / Southern Methodist University
What the new Doctor Who can tell us about the machinations of cultural globalization.
“Roswell! Roswell! The People Have a Right to Know!”: The State of Fluff, part 2.
by: Eileen Meehan / Louisiana State University
“Peter Jennings Reporting: UFOs — Seeing Is Believing,” serves as an example of the state of network news reporting.
Move over Marshall McLuhan! Live from the Arctic!
by: Faye Ginsburg / NYU
Connecting Inuit culture to the rest of world using film and the Internet.
Extreme Health Care
by: Vicki Mayer / Tulane University
What’s behind Extreme Makeover’s contestants? Maybe more than just the desire to have their 5 minutes of fame.
New to You?: NBC’s The Office and the Remake of a Cult British Hit TV Series
by: Richard L. Edwards / St. Mary’s College
Is there a better way for American TV networks to remake British shows?
This Week on Flow (April 29, 2005)
by: Marnie Binfield and Bryan Sebok / FLOW Staff
Welcome to FLOW.
Fans of Lesbians on TV: The L Word’s Generations
by: Jill Dolan / University of Texas at Austin
What The L Word gets “right” about lesbian relationships.
The Media and Death: The Case of Terri Schiavo and the Pope
by: Douglas Kellner / UCLA
Why does the “Culture of Life” movement reek of death?
The Problem of Morality in Media Policy
by: Thomas Streeter / University of Vermont
Beyond Janet Jackson’s breast: an investigation of how to rethink the moral discourse of media reform.
Oscar Clips Clips; Audience Insight Dips
by: Mary Beth Haralovich / University of Arizona
The Oscars® telecast missed a chance to educate and inform.
Faith-Based Plot Initiatives
by: Mimi White / Northwestern University
An inquiry into the form and function of divinity in Joan of Arcadia.
Television’s Gated Communities
by: Megan Mullen / University of Wisconsin-Parkside
New strategies in cable television are reinforcing the metaphor of cultural gated communities.