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Automated for the People
Gerald Sim / Florida Atlantic UniversityThis article discusses the intersection of technology and creative labor, focusing on the impact of AI tools on video editing and the broader media industry.
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A Quiet Revolution? Cinema Programming in the Era of Artificial Intelligence
Roderik Smits / Erasmus University RotterdamRoderik Smits explores how AI is shaping the landscape of film programming and distribution.
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Disclaimer, Anonymous Content and single series auteur-directed television
Andrew Stubbs-Lacy / Staffordshire UniversityThis column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies.
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TikTok is Television, Television is TikTok
Michael Z. Newman / University of Wisconsin-MilwaukeeMichael Z. Newman explores the convergence of television and TikTok, arguing that platforms like TikTok embody television’s fragmentary logic and attention-driven economy, transforming late-night shows like After Midnight into viral, internet-native content.
Over*Flow
Over*Flow: Martha Stewart’s Star Persona and the 21st-Century Influencer
Emma Ginsberg / Georgetown University
Emma Ginsberg details the development of Martha Stewart’s enduring star image and contemporary influencer persona, which centers around whiteness, privilege, and affluence.