Holly Rogers / Goldsmiths, University of London

Holly Rogers is reader in music at Goldsmiths, University of London. She is interested in experimental audiovisual culture, from video art and avant-garde film to new and interactive media. Holly is author of Sounding the Gallery: Video and the Rise of Art-Music (Oxford University Press, 2013), co-author of the textbook Twentieth-Century Musics (Cambridge University Press, 2020) and editor of Music and Sound in Documentary Film (Routledge, 2014), The Music and Sound of Experimental Film (Oxford University Press, 2017), and Transmedia Directors: Artistry, Industry and New Audiovisual Aesthetics (Bloomsbury, 2019). She is also a founding editor for the Bloomsbury book series New Approaches to Sound, Music and Media and the Goldsmiths journal Sonic Scope.

Locked Down Listening / Communal Re-imagination
Holly Rogers / Goldsmiths, University of London

Singing from the balconies in Spain. Today we are listening harder than ever. But to what? Social distancing and isolation have reduced the noise of everyday life. As cities retreat indoors and transport comes to a standstill, the world has become a quieter place. But while a hush has settled over the outside world, our virtual spaces have exploded into […]

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