Skip to content

A Critical Forum on Media and Culture

A Critical Forum on Media and Culture

Home
ABOUT FLOW
CONTRIBUTE
- HOW TO CONTRIBUTE
- CURRENT CALLS
CREDITS
OVER*FLOW

Search Results for: REGVIP betwinner promo code today 2024 Ethiopia

No matches

Please try again, or use the navigation menus to find what you search for.

Search for:

Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Search for:

Archives

Archives

Over*Flow: Responses to Breaking TV & Media News

Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

Over*Flow: "Trans Joy and Body Horror in Emerging Trans Cinema"
Paige Macintosh / Te Herenga Waka—Victoria University of Wellington

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FLOW @flowtv ·

16 Oct

Through a combination of musical performances, formal reflexivity & cringe confession, Bo Burnham’s 2021 Netflix comedy special Inside theorizes on the self-management and exploitation of creative labor in the contemporary media industries. Read it here: https://tinyurl.com/3hu6c89u !

Reply on Twitter 1846626962854265052 Retweet on Twitter 1846626962854265052 2 Like on Twitter 1846626962854265052 2 Twitter 1846626962854265052

FLOW @flowtv ·

15 Oct

.@KEBennettPhD examines the unique position of Hollywood assistants as “across-the-line” workers & reveals critical insights into the industry’s hierarchical structures and gatekeeping, particularly regarding race, gender, & class dynamics. Read it here: https://tinyurl.com/3zyw9xjx !

Reply on Twitter 1846234590492742137 Retweet on Twitter 1846234590492742137 6 Like on Twitter 1846234590492742137 9 Twitter 1846234590492742137

FLOW @flowtv ·

14 Oct

Eleanor Patterson challenges the idea that the post-network era is defined by a break from prior distribution models, highlighting a long history of offering broadcast programming as singular, “on-demand” commodities. Read it here: https://tinyurl.com/3cef2hd4 !

Reply on Twitter 1845924261287882860 Retweet on Twitter 1845924261287882860 6 Like on Twitter 1845924261287882860 24 Twitter 1845924261287882860

FLOW @flowtv ·

11 Oct

.@tbaudinette explores K-pop fandom's emergence as a global safe space for LGBTQ+ youth, offering community & resources for identity exploration. This creates a paradox contrasting with South Korea’s largely homophobic societal norms. Read it here: http://tinyurl.com/4cb3y9hp

Reply on Twitter 1844849253429997811 Retweet on Twitter 1844849253429997811 7 Like on Twitter 1844849253429997811 8 Twitter 1844849253429997811

Load More

Popular Posts

Pass the Remote: Online News
June 10, 2005 179 comments
Why Do I Love Television So Very Much?
March 9, 2007 95 comments
Watching Everybody Hates Chris in Brazil
Reighan Gillam / University of Michigan
March 5, 2013 91 comments
Awkward Conversations About Uncomfortable Laughter
November 4, 2005 66 comments
Why Don’t I Like Breaking Bad?
Kate Warner / University of Queensland
February 11, 2014 59 comments

Tags

Advertising American Politics Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Film Gender Globalization Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Youth Culture