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Category: 2.02

This Week on Flow (April 15, 2005)

April 15, 2005 Allison Perlman / University of California - Irvine Leave a comment

by: Allison Perlman / FLOW Staff
Welcome to Flow

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The Copyright Creative Stranglehold

April 15, 2005 Patricia Aufderheide / American University 11 comments

by: Patricia Aufderheide / American University
A discussion of the negative effects of copyright law on documentary production.

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Pass the Remote: Adult Swim

April 15, 2005 Shana Heinricy, Matthew Thomas Payne, Angela McManaman 22 comments

by: Shana Heinricy, Matt Payne, and Angela McManaman
Who is the “we” in those ubiquitous [Adult Swim] promos?

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Disappointment and Disgust, or Teaching?

April 15, 2005 John Hartley / Queensland University of Technology, Australia 8 comments

by: John Hartley / Queensland University of Technology
Is ‘disappointment’ and ‘the teaching of disgust’ the ‘core of our discipline’? Or might teaching better be accomplished by inspiring positive civic action. Either way, doesn’t reality TV do it better than we do?

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Inside the Beeb

April 15, 2005 Jim McGuigan / Loughborough University, UK 3 comments

by: Jim McGuigan / Loughborough University, UK
How can a public network like the BBC survive in the age of privatization?

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Flotsam

April 15, 2005 Christopher Anderson / Indiana University 2 comments

by: Christopher Anderson / Indiana University
How does our understanding of television change when we replace the idea of “flow” with “flotsam”?

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Copps’s Hypothesis: Indecency and Media Ownership

April 15, 2005 Frederick Wasser / Brooklyn College 9 comments

by: Frederick Wasser / Brooklyn College
Wasser considers a hypothesis of FCC commissioner Michael Copps: is there a relationship between media deregulation and vulgar programming?

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Symbolic Inversion: Git-R-Done!

April 15, 2005 Brian L. Ott / Colorado State University 17 comments

by: Brian L. Ott / Colorado State University
What is appealing about Jeff Foxworthy?

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Meaningful Mysteries – Psychoanalytic Pleasures in Today’s TV

April 15, 2005 Sharon Ross / Columbia College Chicago 11 comments

by: Sharon Ross / Columbia College Chicago
A consideration of the pleasure of unraveling contemporary television’s “meaningful mysteries.”

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Notes from the Blogosphere

April 15, 2005 Rachel Weiss 12 comments

by: Rachel Weiss
Blogs are the new reality television.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
3 Nov

From Squid Game pop-ups to Netflix House installations, Hyun-Jung Stephany Noh traces how dystopian K-dramas become immersive, branded experiences. Her essay shows how Netflix turns speculative fiction into a global marketing spectacle
Read it here: http://tinyurl.com/h7epx33m

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flowtv FLOW @flowtv ·
29 Oct

Helen Piper examines the show The Assembly and compares the UK & Australian versions. In doing so, she reveals how format and post-production choices shape risk, reciprocity, and the politics of inclusion.

Read it here: http://tinyurl.com/5y7y4cax

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flowtv FLOW @flowtv ·
28 Oct

Guillermina Zabala Suárez asks: Can digital media become a device to create awareness of health issues in out communities?

Read it here: http://tinyurl.com/mt5secz3

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flowtv FLOW @flowtv ·
30 Jul

In a new essay, @LaurelPRogers examines the role of the fanboy auteur in HBO's backstage comedy "The Franchise," which satirizes Hollywood's superhero industrial complex. Read: https://www.flowjournal.org/2025/07/fanboy-auteur-hbo-franchise/

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