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Trisha Dunleavy / Victoria University, New Zealand

Dr. Dunleavy completed her MA and PhD between 1994 and 1998, during the formation of Auckland University’s Department of Film, Television and Media Studies and, in 1999, was among the first of its graduates to gain a PhD. Prior to her appointment at Victoria, Dr. Dunleavy lectured in Television and Film Studies at De Montfort University, Leicester. In 2001, she returned to New Zealand to help establish a new programme in Media Studies at Victoria University, acting as its Programme Director until early 2003. Dr. Dunleavy specialises in Television Studies, with her current research focussed on transitions in British and American TV drama, including those derived from the increased provision and competition in television since 1990. Informed by international developments in television’s institutional ecology and industry, her recent publications have examined the changing position of ‘high production value’ TV programming, specifically drama.

Public Television in a Small Country: the New Zealand ‘Experiment’ 20 Years On 
 Trisha Dunleavy / Victoria University of Wellington  

May 15, 2009 Trisha Dunleavy / Victoria University, New Zealand One comment

A reassessment of New Zealand’s public service television experiment on the twentieth anniversary of its implementation.

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Strategies of Innovation in ‘High-End’ TV Drama: The Contribution of Cable 
 Trisha Dunleavy / Victoria University of Wellington 

March 6, 2009 Trisha Dunleavy / Victoria University, New Zealand 6 comments

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Hybridity in TV Sitcom: The Case of Comedy Verité 
 Trisha Dunleavy / Victoria University of Wellington 

December 11, 2008 Trisha Dunleavy / Victoria University, New Zealand 10 comments

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

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Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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