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A Critical Forum on Media and Culture

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Tim Havens / University of Iowa

Transnational Television Dramas and the Aesthetics of Conspicuous Localism
Tim Havens / University of Iowa

April 30, 2018 Tim Havens / University of Iowa 6 comments

Tim Havens discusses newer developments in high-end transnational television dramas, specifically noting the turn toward a stronger sense of place through “conspicuous localism.”

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Showtime’s The Chi and the Surge in Black-Cast TV Dramas
Tim Havens / University of Iowa

February 26, 2018 Tim Havens / University of Iowa 3 comments

Tim Havens explores the surge in high-quality black-cast dramas offered by subscription television services. By comparing contemporary series such as Showtime’s The Chi with African American television of the past, Havens asserts the industry is beginning to splinter the African American audience along divisions of taste cultures.

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The Algorithmic Audience and African American Media Cultures
Tim Havens / University of Iowa

October 30, 2017 Tim Havens / University of Iowa 2 comments

Tim Havens considers Netflix as a case study to develop a typology for studying the role of algorithmic audience analysis in commercial African American streaming culture.

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The Thirtieth Anniversary of Roots and the Deferred Dream of Black Drama

Tim Havens / University of Iowa

April 7, 2008 Tim Havens / University of Iowa 4 comments

As we enter a post-network television era, however, it is worth reassessing the promises and disappointments that came in the wake of Roots in order to understand the prospects for African American television today, especially dramatic series.

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Where Babies Really Come From…

January 29, 2008 Tim Havens / University of Iowa 4 comments

A Baby Story, it would seem, has become a present-day ritual for at least some segments of the expectant-parent population in the U.S.

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Guy-Coms and the Hegemony of Juvenile Masculinity

October 27, 2007 Tim Havens / University of Iowa 11 comments

“Guy-Coms” are making juvenile mascuinity hegemonic in U.S. culture.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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