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A Critical Forum on Media and Culture

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Mary Beth Haralovich / University of Arizona

Report from Ringside: The Contender Live Finale

July 8, 2005 Mary Beth Haralovich / University of Arizona 2 comments

by: Mary Beth Haralovich / University of Arizona
A report back from the live Contender finale, which turns out to be a familial arena as much as a fighting one.

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Oscar Clips Clips; Audience Insight Dips

April 25, 2005 Mary Beth Haralovich / University of Arizona 33 comments

by: Mary Beth Haralovich / University of Arizona
The Oscars® telecast missed a chance to educate and inform.

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The Credibility of Reality TV and Its Lineage with other Photographic Arts

March 4, 2005 Mary Beth Haralovich / University of Arizona 6 comments

by: Mary Beth Haralovich / University of Arizona
Recently, I was asked to comment on the credibility of reality television as compared to the credibility of street photography by artists like Diane Arbus, Robert Frank and Cindy Sherman.

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TV Legal Drama Speaks to U.S. Citizens

January 7, 2005 Mary Beth Haralovich / University of Arizona 3 comments

by: Mary Beth Haralovich / University of Arizona
In the early 1970s, Dirty Harry famously took on the issue of constitutional rights for US citizens suspected of crimes. Clint Eastwood’s cop movie launched the popular narrative enigma that would influence decades of television legal drama . . .

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Casting Shirley Partridge: The Reality TV Audience as Talent Scout

November 5, 2004 Mary Beth Haralovich / University of Arizona 10 comments

by: Mary Beth Haralovich / University of Arizona
Reality television is developing a new force on the creative side of television production as the TV audience joins television executives in the creation of entertainment programming.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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Popular Posts

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