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Nichola Dobson / Independent Scholar

Nichola Dobson is an independent scholar based in Scotland. She received her PhD from Queen Margaret University College, Edinburgh in 2004 where she also lectured in Media Studies. Her thesis was on “The Fall and Rise of the Anicom: the Sitcom Genre in U.S. TV Animation (1960 – 2003)”. She is currently lecturing at Glasgow Caledonian University on Discourse and Ideology and researching and writing a book on animation in her spare time. She is the editor of the Society for Animation Studies’ peer reviewed online journal Animation Studies and is starting to follow up her PhD research on TV animation. Other research interests include film and television genre, film and television comedy, media studies, digital media and crime fiction. She has published articles in several journals and recently contributed to an edited collection, The CSI Effect: Television, Crime and Critical Theory (forthcoming, Lexington).

Brand Loyalty vs. show loyalty, the strange case of Virgin vs. Sky

March 21, 2007 Nichola Dobson / Independent Scholar 2 comments

by: Nichola Dobson / Independent Scholar
Caught in between disputing media cable providers, audiences find alternative ways to circumvent the
media’s economically driven programming strategies.

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Strictly Dancing Newsreaders

January 12, 2007 Nichola Dobson / Independent Scholar 2 comments

by: Nichola Dobson / Independent Scholar
What are the implications for British broadcasting when news anchors become celebrities?

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Wasn’t That Show Cancelled? – part two

October 20, 2006 Nichola Dobson / Independent Scholar 4 comments

by: Nichola Dobson / Independent scholar based in Scotland
DVD’s sales, TV cable reruns and support from fans have been essential in the comeback of some TV programs; however these demonstrations have not worked evenly for all the cancelled shows. Which are the programming-industrial logics and politics behind a TV program’s come back?

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Wasn’t That Show Cancelled? – The Increasing DVD Phenomenon

September 22, 2006 Nichola Dobson / Independent Scholar 9 comments

by: Nichola Dobson / Independent Scholar
The expectation seems to be emerging that at the end of any series, or season, the show will be distributed and sold on DVD.

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Darkness and Light: The Changing Mood of the CSI Franchise

July 7, 2006 Nichola Dobson / Independent Scholar 3 comments

by: Nichola Dobson / Independent Scholar
A closer look at changes in the stylistic conventions of the CSI franchise due to audience reaction.

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The Regeneration of Doctor Who: The Ninth Doctor and the Influence of the Slayer

April 28, 2006 Nichola Dobson / Independent Scholar 7 comments

By: Nichola Dobson / Independent Scholar
A look at the mutual influence of television between US and Britian.

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Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

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Over*Flow: Responses to Breaking TV & Media News

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Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

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flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

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flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

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flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

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flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

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