Skip to content

Flow

A Critical Forum on Media and Culture

Flow logo (gif)

A Critical Forum on Media and Culture

  • Home
  • ABOUT FLOW
  • CONTRIBUTE
    • HOW TO CONTRIBUTE
    • CURRENT CALLS
  • CREDITS
    • AUTHORS
    • EDITORIAL TEAM
    • TECHNICAL CREDITS
    • FORMER EDITORS
  • OVER*FLOW

Mark Andrejevic / University of Iowa

Cybernetic TV

March 27, 2008 Mark Andrejevic / University of Iowa One comment


A reprint of Mark Andrejevic’s examination of interactive television.

Read more

Watching TV Without Pity

April 5, 2007 Mark Andrejevic / University of Iowa 3 comments

by: Mark Andrejevic / University of Iowa
Rip-on-your-favorite-show sites elevate the attempt to make bad TV more entertaining to a popular art form. In the Television Without Pity world, the show is no longer the final product, but rather the raw material to which value is added.

Read more

Reality TV Is Undemocratic

September 22, 2006 Mark Andrejevic / University of Iowa 9 comments

by: Mark Andrejevic / University of Iowa
In its broadest sense, the term “democratic” is invoked to indicate that the public has been given a choice of some sort, or even more generally that it has been provided with the opportunity to “participate.” Are the limited forms of engagement that Reality TV provides truly “democratic”?

Read more

Total Information Awareness – The Media Version

July 7, 2006 Mark Andrejevic / University of Iowa 2 comments

by: Mark Andrejevic / University of Iowa
Commercial broadcasting has, from its inception, been about monitoring viewers; this is why the history of the ratings industry has become entwined with that of military and police surveillance.

Read more

Life on Animal Planet

April 28, 2006 Mark Andrejevic / University of Iowa 2 comments

By: Mark Andrejevic / University of Iowa
Animal Planet documentaries offer a disturbing mirror through which to view the pathologies of our current social reality.

Read more

Watching TV Poker

February 24, 2006 Mark Andrejevic / University of Iowa 3 comments

by: Mark Andrejevic / University of Iowa
Andrejevic considers the cultural logic of the recent surge in televised poker tourneys.

Read more

What a Long, Bad Trip It’s Been

December 16, 2005 Mark Andrejevic / University of Iowa One comment

by: Mark Andrejevic / University of Iowa
The voyeurism and surveillance of MTV’s One Bad Trip become inverted after the first season, leaving audiences to wonder; who’s watching, and who’s performing?

Read more

Cybernetic TV

October 21, 2005 Mark Andrejevic / University of Iowa 2 comments

by: Mark Andrejevic / University of Iowa
An exploration of the ways in which “interactive” television “adjusts on the fly” to meet the needs of programmers and viewers.

Read more
Flow is a critical forum on media and culture published by the Department of Radio-Television-Film at the University of Texas at Austin. Flow’s mission is to provide a space where scholars and the public can discuss media histories, media studies, and the changing landscape of contemporary media.

Search Flow:

Archives

Over*Flow: Responses to Breaking TV & Media News

image description
Over*Flow: “Effort is Overrated: The Dissonance of AI Integrations with the 2024 Olympics”
Kathryn Hartzell / University of Texas at Austin

Martha Stewart holding a credit card
Over*Flow: “Martha Stewart’s Star Persona and the 21st-Century Influencer”
Emma Ginsberg / Georgetown University

@FlowTV Conversations…

FLOW Follow

A critical forum on media and culture brought to you by the graduate students of @UTRTF.

FlowTV
flowtv FLOW @flowtv ·
30 Jan

New Over*Flow! Kathryn Hartzell examines AI Olympic Ads from Summer '24, identifying a dissonance in the ads' narratives that highlight tensions around AI's relationship to creativity, concerns over increased precarity in media industries & more. Read at http://tinyurl.com/mr2rzzeh

Reply on Twitter 1884761812777754705 Retweet on Twitter 1884761812777754705 Like on Twitter 1884761812777754705 2 Twitter 1884761812777754705
flowtv FLOW @flowtv ·
28 Dec

Michael Z. Newman explores the convergence of TV & TikTok, arguing that the platform embodies television’s fragmentary logic & attention-driven economy, transforming late night shows like After Midnight into viral, internet-native content.

Read it here: http://tinyurl.com/2mnwk4my

Reply on Twitter 1873142787815968998 Retweet on Twitter 1873142787815968998 3 Like on Twitter 1873142787815968998 12 Twitter 1873142787815968998
flowtv FLOW @flowtv ·
26 Dec

Andrew Stubbs-Lacy's column examines Alfonso Cuarón’s Disclaimer on AppleTV+, exploring how its production and promotion as a “cinematic” auteur-driven series reflect broader industry strategies. Read it here: http://tinyurl.com/yc6cckya

Reply on Twitter 1872372705070371178 Retweet on Twitter 1872372705070371178 2 Like on Twitter 1872372705070371178 2 Twitter 1872372705070371178
flowtv FLOW @flowtv ·
23 Dec

Roderik Smits explores how AI is shaping the landscape of film programming and distribution.

Read it here: http://tinyurl.com/2nm2mp36

Reply on Twitter 1871234809906823300 Retweet on Twitter 1871234809906823300 1 Like on Twitter 1871234809906823300 4 Twitter 1871234809906823300
Load More

Popular Posts

  • Pass the Remote: Online News

    June 10, 2005 179 comments
  • Why Do I Love Television So Very Much?

    March 9, 2007 95 comments
  • Watching Everybody Hates Chris in Brazil
    Reighan Gillam / University of Michigan
    March 5, 2013 91 comments
  • Awkward Conversations About Uncomfortable Laughter

    November 4, 2005 67 comments
  • Why Don’t I Like Breaking Bad?
    Kate Warner / University of Queensland
    February 11, 2014 60 comments

Tags

Advertising American Politics Branding Comedy Commercial Interests Communication Technology COVID-19 Criticism Family Fandom Femininity Feminism Gender Global Media Global Politics Industry Media Influence Music Netflix New Media News Over*Flow Pedagogy Pop Culture Public Media Race/Ethnicity Radio Reality TV Representation social media Sports Media streaming Technology Television Viewing Volume 23 Volume 24 Volume 25 volume 26 Volume 27 Volume 28 Volume 29 Volume 30 Volume 31 Youth Culture